Nothing says “Christmas” quite like a quality book on the philosophy of
Friedrich Nietzsche. What better proclaims the miraculous birth of salvation than “god
is dead,” right?
The Challenge of Nietzsche
by
Jeremy Fortier
was published in 2020 but it sat in my Amazon wish list until I received a
copy as a gift this past holiday. The book's subtitle, “How to
Approach His Thought,” might indicate that it is an introductory level
book. True enough, Fortier offers a sweeping narrative through the
span of Nietzsche's early, middle and late period thinking. With
stronger interest in the latter two periods of his life.
But,
the aim of this book is more specific than a general introduction of all
facets of Nietzsche's philosophy would necessarily entail. Rather,
this “approach to his thought” is an attempt to uncover a particular,
fundamental thread that serves as an underpinning for the broader
Nietzsche . In short, this book is about how his thought evolved
over his working life through the lens of the Free Spirit, Zarathustra,
and Nietzsche's late autobiographical work.
According to
Fortier, Nietzsche's “Free Spirit” was initially a rebellion of independence from the tremendous influence
Richard Wagner
held over the professor's young life. His first work,
The Birth of Tragedy (1872), was heavily Wagnerian. But,
Human, All Too Human
(1878) and
The Wander and His Shadow
(1880) broke free of the early Nietzsche. Eventually, he came to question
the Free Spirit's degree of independence (even isolation) from the
world. Nietzsche's title character in
Thus Spoke Zarathustra
(1883 - 1885) came down from his mountaintop and explored how to properly engage the
world.
This established a “tension” between the two
concepts. Nietzsche found both useful and both flawed in some
respects. In his later work, particularly in
Ecce Homo (1888), Nietzsche found some resolution by coming to the understanding that
this tension was a necessary part of his self-discovery and that it is
precisely this competition between them that benefits the “philosopher of
the future.”
Honestly, this book could have been written as a
30-page essay and be just as meaningful for me. Instead, the reader
is challenged to read into a lot of depth and analysis that is not worth
the meager insights attained. Fortier spends too much time on the
Nietzsche-Wagner problem and overemphasizes
The Case of Wagner
(1888) as a work compared with his other works. He goes into tiresome depth
about things like the importance of Bizet's opera
Carmen
to Nietzsche. I was aware Nietzsche adored the opera and saw it
several times. The deeper reasons for it are, frankly, not that
interesting or insightful.
For all his rambling ways,
Fortier's analysis of how the Free Spirit (emphasizing the importance of
internal self-discipline) differs from Zarathustra (emphasizing the
importance of socialization and world transformation) is important.
First of all, it demonstrates how Nietzsche's philosophy changed as he
matured. Secondly, it shows how Nietzsche
incorporated both of these concepts into his philosophy, not
as one inferior to the other but as a combination of both as
important to realizing a fulfilling life.
Fortier starts
with: “The Free Spirit and Zarathustra can be thought of a
representative of two different ways of being in the world....The Free
Spirit strives to remain as comprehensively critical and independent of
the world as possible. Zarathustra, in contrast, is not merely
critical and independent, but he also strives to be creative
(constructive), and thereby contribute to (help to change) the world.” (page 10)
The author contends that
The Wanderer and His Shadow “constitutes a decisive turning point
in Nietzsche's thought...the Free Spirit's concern with historical
philosophy is supplemented, and to some degree overshadowed, by a deeper
emphasis on psychology.” (page 51) Nietzsche proclaimed the
importance of “the closest things” in one's life as being of critical
importance. By this he meant “eating, housing, clothing, social
intercourse.” The importance of what might be considered mundane
life.
Zarathustra later became the embodiment of “the closest
things,” a contrast to the untethered Free Spirit who lives beyond
culture. Zarathustra, according to Fortier, “...represents an
attempt to engage more fully and sympathetically with many features of
human life that the Free Spirits deny to themselves. Thus,
Zarathustra sets out to have a lasting, creative impact on the world, and
understand that project as an expression of his love.” (page 124)
Love
is not a word a lot of Nietzsche scholars use when describing the
philosopher's thoughts. But Fortier shows that love is an essential
aspect fueling Nietzsche's fire. Love as passionate and desiring, in
seeking common hearts and minds. This is an important insight
because Nietzsche was a highly passionate individual. He was a
robust enthusiast of the late-Romantic Age – which is why he fell in love
with Wagner and his music (and Schopenhauer before that) to begin with.
According to Fortier, the differences between
Zarathustra and the Free Spirit are somewhat resolved with his acquisition
of self-knowledge from a lifetime of introspection. Specifically,
this comes from Nietzsche's understanding of the importance of his
recurring bouts illness. By the time he wrote Ecce Homo in
1888, he had been seriously ill for most of his adult life.
Overcoming his illness to remain productive became a source of
philosophical inspiration for him. “Nietzsche's struggles with
illness (and the self-disciplined regimen that they compelled him to
develop) point to ways in which the soul can be spurred to train and
condition itself through successive stages of self-overcoming.”
(Page 144)
In doing so, Nietzsche elevates his illness and his
struggle for health to a metaphysical level. For clarification, the
author refers back to aphorism 382 that Nietzsche wrote earlier in
The Gay Science (1882): “We who are new, nameless, hard to understand, we premature births of a
yet unproven future, we require a new end and a new means, too, namely a
new health, one that is stronger, craftier, tougher, bolder, merrier than
all healths have been so far...[We are] in need of one thing above all
else, great health - of the kind you not only have but also
still constantly acquire and have to acquire because time and again you
give it up, have to give it up...” (page 158)
Fortier is
insightful to point out that in Ecce Homo Nietzsche sees both the
“self-disciplined and liberated” qualities of the Free Spirit and the
“being-outside-yourself” of Zarathustra as necessary modes of existence
which bring “health” to the searching soul. They both inspire “new
acts of creation.” Further, they are both part of a continuum
through a life that “constantly acquires” new competence and insights.
“The
moment of health and reaching beyond oneself is an essential part of
Nietzsche's experience and understanding of the world, but it is not,
cannot be, and is not desired as the whole of that experience and
understanding. It is, rather, part of an ongoing development and
interplay between health and illness...for the dynamic of health and
illness is, for Nietzsche, such that one can be led continually away from
and back toward oneself, and thereby continually be exploring and learning
from oneself.” (page 160)
Regarding the Free Spirit and
Zarathustra, Fortier concludes: “...for Nietzsche neither one of these
characters represents a complete, final, and altogether superior approach
to life...he made use of both, in order to think through (and get through)
different periods of his life.
“...protect your independence
through a stringent self-discipline that minimizes your dependence on
others as much as possible; eventually realize, however, that you have
overestimated the degree to which you are or ever can be wholly
independent, and once you recognize that tension in your existence, strive
to affirm it rather than escape or resent it; open yourself to the
capacity for love that connects you to others, and wait to uncover within
yourself a wider world; occasionally forget yourself by immersing yourself
in a plethora of human possibilities that you are not; learn to love the
world for what it is, rather than for what you can make it; learn the
necessity of your own mistakes and suffering; learn that there is no end
to this process, but only a process to be repeated, through which you come
to know yourself ever more deeply.” (page 162)
This is a
brilliant though incomplete synopsis of Nietzsche's human philosophical
project. It does not directly pertain to the death of god, eternal
recurrence or the will to power, for example. It does, however, find
obvious correlation to self-overcoming and amor fati. So Fortier supplies, at best, a partial “approach to his
thought.” Nevertheless, it is an accurate portrayal of Nietzsche's
existential application of his life's work. This is
important and often overlooked in most analyses of the philosopher's
work.
Fortier attempts to use selected works and
autobiographical material to introduce the reader to Nietzsche as
ultimately a master of the self-understanding and, perhaps more
importantly, what Nietzsche came to see as
the nature of the path to self-understanding before his
illness finally overtook him. Despite sometimes getting into the
weeds with minutia that yields less fruit than the work it takes to get
there, the author presents a worthy overview of an essential yet
frequently ignored framing of this philosophy by including how Nietzsche
came to intimately view his illness and his life amidst the concepts he
explored.
In doing so, he makes a rather controversial
claim. “...to read Nietzsche's writings within the context set by
his autobiographies is to recognize that his work was not intended
primarily as a doctrinal or metaphysical philosophic system, or as a
literary achievement, or as a revolutionary manifesto. Those
dimensions may be found within Nietzsche's writings, but his writings were
first and foremost part of his own project of aspiring self-knowledge, and
his work therefore ought to be judged first and foremost on the basis of
how effectively (or deficiently) his writings help readers acquire such
knowledge for themselves.” (page 163)
Fortier is telling us
“how” to approach Nietzsche, as a revelation of “constantly acquired”
competences based upon deep personal introspection and awareness. To
that extent,
The Challenge of Nietzsche
is a welcome addition to my library and a splendid way to introduce
readers, however new or experienced they might be, to an alternative
application of his thought. Not as rigid concepts that must be
plumbed deeply and held passionately
as a cultural force but, rather, as an example to the rest
of us of how self-discovery works, for everybody, as an invitation to live life beyond whatever it is that
we think and believe.
This opens up the possibility to a more
universal application of Nietzsche, much as a master, teacher, and
guru. Certainly, Nietzsche advocated the death of god. But, if
we take Fortier's worthy perspective, Nietzsche ultimately came to see
that concept as a catalyst for self-discipline, world-transformation, and
as a step toward a healthy (and relevant) life within the world that is
constantly becoming. Anyone reading Nietzsche's often “dangerous”
ideas would benefit from keeping this in mind.
Note: As the heading of this post implies, this is the inspiration for the title of this blog. I had the tightrope walker of Zarathustra in mind when this attempt at philosophic biography began in 2008. For me, this singular metaphor represents, as much as any other possiblity, the essence of Nietzsche’s life and philosophy. Thus Spoke Zarathustra is different from most of Nietzsche’s previous philosophic works. For one thing it is presented in chapters, not in aphorisms. For another, like his series of lectures entitled On the Future of Our Educational Institutions back in 1872, it is a kind of parable, a story with fictitious characters used to metaphorically express his philosophy. It is not a detailed style of philosophic inquiry, as much of his earlier work. Nevertheless, various rational concepts are advocated, and contemporary European culture is critiqued and found irrelevant due to the “god is dead!” proclamation. It is noteworthy that Zarathustra himself is first mentioned ...
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